~jonas jonasson~ the one hundred year old man who climbed out the window and disappeared

tohyomwcotwadRead it in: maybe a little over two weeks

So this was a bit of a random choice, picked up in the bookshop for no apparent reason and waiting to be read so that I could finally add the ‘fiction alphabetical order J’ category to the list.  Also, to tell the truth I haven’t really read a comedy before.  It was an interesting experience.

Would I recommend it?  Sure, if you like books written almost entirely in exposition.  An example is called for:

Allan asked Julius if he had any ideas which, unlike previous attempts, would not make The Beauty even angrier.  Julius answered that the only way they could save the situation was by inviting The Beauty to partake in some sort of part ownership of the suitcase.  Allan agreed, although he pointed out that no good would come of telling a new person each day that they had stolen someone’s suitcase, killed that person when he wanted to get it back, and sent the corpse to Africa packed neatly in a steel cylinder. (pg 96-97)

At first it really bothered me.  Really, really bothered me.  I thought maybe it was something funny with the translation (the author is Swedish, after all), but then I realised that it hadn’t been translated.  Was that the problem?  Needless to say, I did get used to it, and the whole book isn’t written in exposition anyway.  Only the vast majority of it.

It follows the strange and intriguing life of Allan Karlsson, who managed to mix him up in just about every important world event of the 20th Century, and is currently, at the age of one-hundred, on the run.  So the book jumps between the past and the present, which got a little confusing towards the end, but was helped by the dates at the top of the chapters.  So Mr. Karlsson goes from Sweden at the beginning of the century to the Spanish Civil War, to Los Alamos in 1945, to China during the revolution, to the Himalayas and Iran, then back to Sweden and then shortly to Soviet Russia, mainly Vladivostok, to North Korea, to Bali and then finally back to Sweden.  Along the way he manages to meet with just about every major policy-maker of the times.  This is the history scholar’s dream, the international relations major’s greatest desire, to see all these factors come together for comment.  Unfortunately for us all, Mr. Karlsson isn’t particularly fond of politics and tends to try to change the subject quickly.  Now, that is unfortunate.

Well, this book was a little crazy, and maybe a little ambitious in that sense.  Mr. Karlsson with his incredible luck but apathy for politics got on the nerves a little, which is unfortunate because the entire thing is narrated from his expositional perspective.  And, though this may be a flaw with the comedy genre as a whole, the entire narrative seemed completely devoid of emotion.  Characters died, that’s right, died, and our protagonist seemed hardly phased, just continued on with his crazy journey.  Incredible things happened that, if given to another author, could have been laden with heart-wrenching descriptions and really milked for all it was worth.  We had labour camps in Vladivostok.  We had bombs going off during the Spanish Civil War.  We had interrogations with the top dog of the Iranian secret police.  In another writer’s hands, I could see this being an emotionally charged adventure novel.  This one, however, seemed to skirt the emotional bits and toddle along with the plot regardless of what the character was experiencing, in the same way, I suppose, that a one-hundred year old man would climb out the window and disappear – slowly but surely with no regard for anyone and no emotion whatsoever.

So it was a little irritating, but blame it on my inability to stand the comedy genre.  DeLillo and Mishima have made me into a cynical and pedantic literary hermit.  I will stay in my depressing genre-niche and reject everything whenever I emerge.

I am trying to broaden my tastes.  My attempts just haven’t been successful yet.

Read it if you: are an experienced adventurer in the comedy genre and know what to expect, are interested in world history, think coincidence and good luck are amusing.

While reading listen to: oh, lord, I don’t know.  Don’t ask me right now, I’m too busy being cynical.

~david mitchell~ cloud atlas

CARead it in: nine days

Perpetual notes to myself have been written about the pitfalls of comparing films and books.  In my opinion, they must be savoured as entirely different entities that have their own artistic value for different reasons and should not be compared devoutly.  Nevertheless, sometimes it simply cannot be avoided.

I saw the film ‘Cloud Atlas’ and was amazed/intrigued/inspired (circle one).  All of the above.  I loved the idea of our savage, post-apocalyptic future, I adored Ben Whishaw in (most of) his roles (save the overly feminine ones) and was intrigued by a brand of science fiction that I may actually enjoy (I have been waging a mental war against science fiction for a very, very long time).  Hence, after the film finished, I directed myself to the bookshop and immediately bought this book.

It’s very good.  Just don’t compare it to the movie.  Somehow they differ enormously.  Therefore, I expected every twist and turn of the plotline that had so enraptured me in the cinemas, only it didn’t happen that way.  It surprised me immensely.  And, as always, I know I would have enjoyed it much better had I not seen the movie and known what it was all about beforehand.

The plotline is a little too complicated to explain in 25 words or less.  But I’ll try.  There are six inter-connected lives: an American on a voyage through the Pacific islands sometime in the 1800s, a young musician in the 1930s, a keen journalist involved with a dangerous corporation in the 1970s, an old, befuddled man trapped in a nursing home in modern times, a clone trapped in the surreal world of Neo Soul in the future and a man braving mystery and superstition in post-apocalyptic Hawaii.  As these stories move along, we realise they are all subtly connected.

Read it if you: like historical fiction, play a musical instrument, appreciate long words and clever plays on the English language, enjoy clever and philosophical science fiction, are not deterred by words mangled in attempts to portray different speaking patterns of post-apocalyptic humans, believe in fate/reincarnation/things like that, like exciting thriller stories, appreciate good literature.

While reading this, listen to: Transatlanticism Death Cab for Cutie, Lonely The Middle East, Set Fire to the Third Bar Snow Patrol, Her Disappearing Theme Broken Social Scene

Create a free website or blog at WordPress.com.